Feature: Spike Jonez

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POST NO BILLS

Dawn Dumpert

For the guerrilla artist, driven by a quest for immediate, unmediated contact with the public at large, that unexpected trill of curiosity and intrigue is pay dirt. "It's narcotic," says longtime sniper Robbie Conal. "There's a kick to it."

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THE FUTURE BOY

Shari Roman

By the time he was 19, he was leading the FX crew for David Fincher's Aliens 3. In 1995, after working with Stanley Kubrick on A.I. (which Spielberg later adapted), he picked up his first camera, slipstreamed into the warped supersonic beats of Autechre and kicked open the doors of perception forever.

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THE FUTURE OF MUSIC

Sandy Hunter

In our media saturated landscape, mono-sensory stimuli seems sooo 20th century. Never fear, musicians and their record companies are releasing DVDs in hopes of luring back the pleasure centers of those fickle consumers responsible for flagging record sales in the wake of file sharing and CD burning.

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THE FUTURE OF FILM

David Geffner

J.G. Ballard once said that even the worst science fiction is better than the best conventional fiction. Sci-fi meditations on the future have propelled more indie filmmakers than waves of Jedi fighters.

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THE FUTURE OF UNDERWORLD

Sue Apfelbaum

"Music was sort of like the flagpole you gathered around, it sort of represented you, and I don't think it has that same feeling anymore..."

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THE FUTURE OF LIFE

Anthony Kaufman

"Technology became the medium we had to use in order to question technology," says filmmaker Godfrey Reggio, from his Santa Fe home. "It's like using fire on fire."

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FIRST PERSON

THE HUMAN NEED TO DESTROY

Floria Sigismondi

It will always innately lay under the skin, waiting 'til the time is ripe...

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